Welcome back, stranger!
Last weekend, the Atlanta Opera made its much-anticipated return to mainstage productions at the Cobb Energy Performing Arts Centre and opened its 2021-22 season with a first for the city: Handel’s Giulio Cesare. Aside from a selection of Handel and Hasse arias featured at a Spring Gala Concert back in 2007, and a full staging of Gluck’s Orfeo ed Euridice in 2009, the Atlanta Opera has rarely been known to champion early music, thus the prospect of such premiere proved enticing enough to force many (including myself) out of their pandemic accommodations of choice. What follows is an assessment of the performance which took place on Tuesday, November 9th.
But before we go there, I have an announcement!
As all of you know, the world has changed drastically since my last post, thus going forward (note the optimistic yet tentative tone) in addition to providing musical and production value assessments, these reviews will also contain relevant information pertaining to the topic of “going to the opera in the middle of a pandemic”. Now, I realize that this information will attract some and perhaps repel many, and since we try not to play politics on this page, both sections will be kept separate to allow the reader the ability to pick and choose what best serves them. We believe in choice.Read the rest of this entry »