On the evening of March 4th, the Washington Concert Opera closed its 2015-16 season with a wildly applauded performance of Donizetti’s grand opera “La Favorite”. Central to the performance’s success was the work of maestro Antony Walker, who remains a tireless champion of the Bel Canto repertoire represented through this unjustly neglected piece. His love for the works of Donizetti in particular, which are routinely vilified by the cognoscenti as unworthy, is particularly disarming, and from the first note of the overture onwards his faith in the dramatic possibilities of this score was palpable. Indeed, through the combined forces of the Washington Concert Opera Orchestra and Chorus he realized the score with the respect and reverence often reserved for Verdi’s middle and later periods. It was a veritable shame that maestro Walker denied us his take on the opera’s extended ballet sequence. By the by, he smartly opted to forgo the familiar, yet deeply flawed Italian translation of the opera in favor of the French original. In the process, he made a compelling case for the reassessment of the opera’s dramatic appeal, as well as reinstating a decidedly French aesthetic which more closely reflect Donizetti’s original conception of the piece when it debuted in Paris in 1840. Lucky for all, maestro Walker surrounded himself with an inspired cast of young artists capable of achieving his vision.
Joelle Harvey (Ines), Kate Lindsey (Leonor) and Javier Arrey (King Alphonse). Photo credit: Don Lassell.