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The Atlanta Opera presents Jake Heggie’s Dead Man Walking

As the small gathering of protesters held their ground outside the theater, an historic tableau greeted the Atlanta premiere of Jake Heggie’s Dead Man Walking this past Saturday. On the stage of the Cobb Energy Performing Arts Center, holding hands with the cast and the production team was the composer himself, as well as the real Sister Helen Prejean. The audience, which not long before had held its breath in stunned silence at the opera’s final scene, showered the creators with unabated and enthusiastic applause. As the crowds prepared to confront the growing pre-Super Bowl traffic, a palpable air of agitation clung throughout the lobby. Random dialogue covering the subject matter, the musical value of the piece, and other aspects of the production could be heard as most patrons made their way out the door. Atlanta is no stranger to Heggie’s music – it has been a mainstay of the song repertoire in our recital venues such as Spivey Hall. That said, this marked the first time the Atlanta Opera audience had the opportunity to grapple directly with the monolithic issues found in his first opera. In the case of your friends at newoutpost, while thoroughly familiar with the score through various broadcasts and the available commercial recordings of the piece, this was also our first opportunity to experience the work in the flesh, and we found the event to be extraordinarily stimulating.

Michael Mayes as Joseph De Rocher and Jamie Barton as Sister Helen Prejean. Photo Credit by Jeff Roffman
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Posted by on February 3, 2019 in Uncategorized

 
 

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